An Epic Session Despite Residual Effects

Nothing Else Matters

Residual effects from recording our video tribute to Chris Cornell still plaguing me, namely an ear-worm that’s been playing itself over and over in my head for a solid week, we set up for recording again, this time to record Forrest’s arrangement of Metallica’s Nothing Else Matters.

Nothing Else Matters has special significance for Forrest and I. It’s our love song, describing in music and words, how we feel about one another and, truly, about life with each other …and life in general, too. The music evokes the kindled essence of who and what we are to each other, to life, and to ourselves. The lyrics express our attitude, feelings, and perspective about life, others, society, and, yes, even the core of our love to and for one another. It’s our song in a lot of ways, far beyond normal significance.

Enough of all that stuff, though. Back to the session.

Because it’s rock, we keep it strictly in time to its intended tempo, recording under headphones to a click track …which makes it a bit of a trick, because intonation (staying on pitch) on the flute requires subtle adjustments, note by note on the fly …which requires both ears listening. To complicate things, the flute has delay (sometimes called echo) on it in places, and, later, both the guitar and the flute are under heavy distortion, the guitar chunky, the flute gritty and reedy. For me, this makes performing it a careful thing, because I must compensate accordingly for the signal lag that happens to the flute under distortion patches.

Add to that, in this session, my red light fright made my back and neck rigid with tension. Halfway through, it felt like I had knives or, maybe, ice picks, stuck, both, in the back of my neck and in my lumbar region — nasty, piercing, metallic sensations that worsened with the most subtle movement. By the end of the session, I was greedily, needily eyeing a bottle of pain killers, something I rarely ever take, no matter what. I managed to finish the session without resorting to chemical numbing, but just.

A few stretches, bends, and deep breathing techniques cleared the problem within minutes once I fled the studio, escaping outside into the night, there to assuage my taut nerves with gentle darkness and kind evening breezes. Then came the sound.

Session done, Forrest had opened up the studio windows and was playing the recording. It filtered out into the night and, listening, I felt awed. That was us!  From a distance, It sounded epic, and that’s saying something for a flute and guitar duo of a song that brings me, a woman who doesn’t cry, to the brink of tears.

“Nothing Else Matters”

So close no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
And nothing else matters

Never opened myself this way
Life is ours, we live it our way
All these words I don’t just say
And nothing else matters

Trust I seek and I find in you
Every day for us something new
Open mind for a different view
And nothing else matters

Never cared for what they do
Never cared for what they know
But I know

So close no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
And nothing else matters

Never cared for what they do
Never cared for what they know
But I know

I never opened myself this way
Life is ours, we live it our way
All these words I don’t just say
And nothing else matters

Trust I seek and I find in you
Every day for us something new
Open mind for a different view
And nothing else matters

Never cared for what they say
Never cared for games they play
Never cared for what they do
Never cared for what they know
And I know

So close no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
No nothing else matters

 

A Forced Abandon

The Internet went down. Soggy cables of a crumbling infrastructure will do that when a melt happens. Of course, it happens other times, too, but that’s usually either rodents chewing through the lines…or somebody’s highway construction project severing the main trunk. Gleefully, I took advantage of the hiatus granted me from the Net–from having to deal with servers, email, and everything cyber. It let me concentrate…or should have, on working on my projects.

First day down and, yes, me without any withdrawal symptoms (I never suffer withdrawal from losing connection. The opposite, in fact.), I worked on my audio project…until the cyberzombies who were suffering withdrawal descended, wondering if I had Internet access some way. (They know me too well, I think…and, uh-huh, I did have a way to connect, but I didn’t tell them that, because, for me, it’s only for emergencies. Using it is hyper-expensive.) Second day down, and it’s Mom’s birthday, which means everybody and their puppy either calls or shows up–no appreciable work done.

And, then, the DSL came back up…earlier than predicted. (Grumble.) There is something to be said for having no connection to the world at large, except for what’s outside your door. Life is cleaner, less cluttered, less stressful, less concerned. I prefer it that way, but the reality is that, without connectivity, I become insulated from the reality in which most people live, experiencing only the reality of localized here and now. I would have no idea if nuclear war broke out…until I became a shadow burned into the ground–no terror possible.

I remember when I lived as a recluse for long years, only coming out maybe once a month if I needed some fencing material or food staples. And to get the mail. Back then, I had an early form of Internet, too–all black screen or telnet white screen, delivered via braided copper cable that I paid a substantial amount to have run to the property from miles away. Communication was limited to text, used by few, and completely devoid of trolls, advertising, and, mostly, malevolence from black box intruders. It also was devoid of inanity, breakfast bagels, and surf-by spammers. I was reminded of that time today when, coming back online, Nathan Lowell poked his head out long enough to type of few conversant lines with Anita Lewis and me. It was refreshing to commune with people you know are intelligent and of sound character.

The point? I don’t know if there is one. Yet, I know that the Net as it stands today is completely unfulfilling as a communication and connection medium. At least, for me.

 

Experiential Distortion

by D. L. Keur writing as herself and/or one of her numerous pen names

02142016ExDistortSqStepping into the shower, she listens to the giggling in the walls, watches light refracting in the streaming spray, smells the fragrance of freshness. Tastes it, too. She closes eyes, lessening visual stimulation. While spatially disorienting, this decreases distraction.

Narrowing focus, she concentrates upon sensation. Sound and odors fade; touch, the lesser skill, can now dominate attention. She revels in sensation: tingling, stinging, punctuated hot; dripping, streaming flow sweeping all around, swirling at her feet. Immersed in movement of the stream, her mind explores vectors and trajectories.

“Raynie, did you take the garbage out?”

The sound explodes around her. The world spins, threatening to topple her.

She extends a hand, but can’t find ‘solid’.

Concentrating, she manages to still herself enough to hold stability, despite the violent buffeting of tidal swirls that threaten to upend her. She trues to that hold, but the effort is immense. Still, she knows it’s necessary. Doing less will bring unending queries and more violent disturbances.

With a will, she splits attending from single- to multi-dedicated focus. She seeks and finds ‘speech’, the least of her capabilities, but the one most critical to maintaining comfort levels within those with whom she shares experience.

The effort makes her breathless. She coheres the necessary communication from conceptual instance into distributed linear stream, making sure the energy within that stream congeals into: meaningful, simple, concise.

Once sure, she finds, then engages mouth and tongue, that finding and engagement also requiring of her immense concentration.

“Raynie?”

“No, Mom. I’ll do it when I’m finished showering.”

“Well, hurry up. The bus will be here.”

Dedicated concentration fractured, she struggles to stabilize herself as every sense goes overload. She struggles and, with a breath, just manages appropriate response—“Okay”—then she hopes that Mom will go away so she can regain control.

Silence answers, and, as the metasphere around her calms, the skirls and buffeting exponentially diminish until they become mere ripples dissolving into echoes as they fade off down the here-now’s timeline.

02142016ExDistortSq

Getting the New Computer, Me, & Space Sorted

This week has been spent getting the new computer sorted–installing and setting up programs and the like. And, of course, I’m not even done by half. (Last week was a wash with all the connection problems…which, for the moment, seem to have settled down some). And, of course, most set-ups I’m doing require or have to do with connecting to remote locations and my websites and server…which requires a stable (what’s that?) connection. Email has proven to be the most fitful to get settled, especially with using a local client rather than some big box in the Cloud. (Never, no, uh-uh, not and compromise my clients’ correspondence, never mind my own correspondence with friends, which, admittedly, is sparse).

I’ve also been doing a lot of thinking…which has proven somewhat sobering, a little depressing, but may mean greater productivity with more satisfying outcomes.

Oh, and we got the recording studio and its dedicated computer set-up almost done, too (That required Forrest’s expertise.) That means that I will begin recording TIAM soon, along with A Gathering of Rebels (well, re-recording them).  I’ll start with short stories, first, though, to get back in practice.

Last, I set up my practice areas, which is good.  For too long things have been half-baked in the music practice department.

Next week, I’ll get back to working on some art for Marva that I started on the other computer, only to have to transfer everything to this station since I’ll be vacationing that one. (It’s tired and in desperate need of some TLC.)